In the portico of the temple of Apollo
DOI:
https://doi.org/10.3989/ic.1988.v40.i398.1573Abstract
This article sets out interesting concepts in the sphere of philosophy of art, and in particular of architecture. Basing himself on etymology, its author proposes a view of architecture as a course or itinerary of initiatives expressed figuratively, and feels that the drawing up of plans in this field involves implicitly the faculty of imagining forms which extend beyond reality. This study, containing a great many sutle concepts, looks at today's way of planning in the context of History of Architecture, considering it as art and as a technical matter.
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