Construction, landscape and art: the cubes of the memory

Authors

  • Justo García Navarro Doctor Arquitecto. Universidad Politécnica de Madrid
  • Luis Martínez Lorenzo Historiador y Antropólogo
  • Ignacio Quintana Pedrós “Hijo Adoptivo” de Llanes

DOI:

https://doi.org/10.3989/ic.2004.v55.i489.406

Abstract


The villa of Llanes (Asturias) has a fishing port whose amplificationwas inaugurated in 1994. The works approached theconstruction of a new dock, a continuation dike of the existingand the placement of large blocks of concrete to breakwatermanner.
To lessen the aesthetic effect not desirable of this intervention,was proposed the recovery of that space through the creationof a great mural that avoided by a part the aesthetic effect ofthe concrete, and additionally the accumulation of wastematerials that the sea was concentrating in such breakwater,assuming a maintenance and cleanliness obligation.
The basque painter and sculptor, Agustín Ibarrola, have carriedout this intervention.

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Published

2004-02-28

How to Cite

García Navarro, J., Martínez Lorenzo, L., & Quintana Pedrós, I. (2004). Construction, landscape and art: the cubes of the memory. Informes De La Construcción, 55(489), 5–13. https://doi.org/10.3989/ic.2004.v55.i489.406

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Section

Research Articles